Cinema as Pilgrimage

El Tonto Por Cristo is not a typical faith film. It is a black-and-white art feature born outside the system—an existential mirror that stays with you long after the lights go up.

The Story

Set at a fictional Eastern Orthodox monastery on the Texas Gulf, the film follows Father John and his community through a landscape that feels both ancient and startlingly alive. Grounded in a distinctly American, Southern space, the film draws comparisons to European masters like Tarkovsky, Bergman, and Tarr.

The Experience

This is not explanatory cinema. It is an invitation to feel and reflect through:

A Meditative Pace

Long scenes and striking visuals that demand presence.

Emotional Truth

A blend of unexpected humor and solemnity.

Intentional Silence

The kind of quiet you only notice when it ends.

The 2026 Tour

This isn’t just a screening; it’s a pilgrimage. Join the second leg of our tour to engage with the film in community and unpack the experience with the artists themselves.

Get Tickets

Trailer

A cow standing in a grassy field, looking towards the camera, with a person lying on the ground in the foreground.

Jonathan Pageau

THIS IS A DANGEROUS MOVIE IN THE BEST WAY POSSIBLE

Director David Lowery

Tarkovsky by way of texas

El Tonto Por Cristo is the tale of an unlikely saint

A monk in a monastery on the coast of Texas embraces the life of a Holy Fool.

Black and white photo of a man with a beard in religious robes, standing on a carpeted floor, holding a cane, with a film clapperboard indicating filming of a religious scene. A crew member is partially visible, adjusting equipment. The background features a painted wall with religious imagery and a wooden door.

Phenomenal. Truly a work of art. And utterly faithful to Orthodoxy.

FREDERICA MATHEWES-GREEN

KICKSTART THEATRICAL

KICKSTART THEATRICAL

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